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Set against the harsh reality of an unforgiving landscape and culture, The Man Who Fell in Love with the Moon provides a vision of the Old West unlike anything seen before. The narrator, Shed, is one of the most memorable characters in contemporary fiction: a half-Indian bisexual boy who lives and works at the Indian Head Hotel in the tiny town of Excellent, Idaho. It's the turn of the century, and the hotel carries on a prosperous business as the town's brothel. The eccentric characters working in the hotel provide Shed with a surrogate family, yet he finds in himself a growing need to learn the meaning of his Indian name, Duivichi-un-Dua, given to him by his mother, who was murdered when he was twelve. Setting off alone across the haunting plains, Shed goes in search of an identity among his true people, encountering a rich pageant of extraordinary characters along the way. Although he learns a great deal about the mysteries and traditions of his Indian heritage, it is not until Shed returns to Excellent and witnesses a series of brutal tragedies that he attains the wisdom that infuses this exceptional and captivating book.
- Sales Rank: #204692 in Books
- Published on: 2000-01-06
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .90" w x 6.00" l, .87 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
Haunting and earthy, this deeply felt tale of love and loss is told by Shed, a half-breed bisexual Indian. In the 1880s, Shed, only a boy, is raped at gunpoint by the man who then murders his mother; he is then raised by Ida Richilieu--prostitute, mayor of Excellent, Idaho, proprietress of a hotel/whorehouse painted pink. Under Ida's tutelage, Shed becomes a berdache , or holy male prostitute, and makes love to resident hooker Alma Hatch, a former Bible saleswoman. Leaving home to seek the meaning of his Indian name, he becomes friend and lover of Montana rancher Dellwood Barker, who converses with the moon and may well be his father. Returning to Idaho, the two men join Ida and Alma in an odd extended family involving various sexual liaisons. Then the four black Wisdom brothers come to town: after Ida defends them against racist Mormons, ensuing events cause Dellwood to lose his marbles, Ida to lose her legs and Shed to lose his innocence as he discovers his true identity. Spanbauer ( Far Away Places ) fuses raunchy dialogue, pathos, local color, heartbreak and a serious investigation of racism in this stunning narrative.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Spanbauer's second novel (the first was Faraway Places, Putnam, 1988) is the bittersweet story of a boy growing up with hard-drinking whores and assorted misfits at the end of Idaho's gold rush. Although his real name is Duivichi-un-Dua, he is also known as Shed. At times, Shed isn't sure who is crazier: the God-fearing citizens of his hometown Excellent, or his adopted family of whores and their admirers at the Indian Head Hotel. Other times, being half Indian, half white, and bisexual makes Shed crazy too. But Shed has a special strength he calls "killdeer," his own code of trust and self-preservation. Crazy or not, Shed tells what he calls his "human-being story" in a true and honest voice. Spanbauer's masterful plot is delightfully unpredictable and compelling. However, some readers may be offended by the unbridled sexuality of his characters. Recommended for large fiction collections.
- Janet W. Reit, Univ. of Vermont Lib., Burlington
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Gender and racial lines are bent out of shape in this tale of turn-of-the-century Idaho spun by a youth who is part Indian, not quite wholly homosexual, and in the grip of a powerful imagination. Spanbauer (Faraway Places, 1988) creates a pansexual West that John Wayne wouldn't have recognized. The narrator, brought up in an earthy but idealized whorehouse in the small town of Excellent, is called ``Shed,'' because it's out in the shed where he turns his tricks--from about age 12 on--after his full-blooded-Indian mother is murdered. He also has the Indian name of Duivichi-un-Dua, the meaning of which he seeks to discover. He feels some kinship to the Berdache, male Indians who lived as women before the uptight whites put a stop to it. In Excellent, the enemies of erotic and other pleasures are the patriarchal Mormons, who are pictured as rabidly racist as well. Meanwhile, the narrative voice, at its worst, is false naive; at its best, strong and vivid, creating an oddly convincing world as seen by someone on locoweed and whiskey. Shed forms a family with Ida Richelieu, the whorehouse proprietor and a whore herself; Alma Hatch, Ida's colleague and bedmate; and cowboy Dellwood Barker, who may be Shed's father but is most certainly his lover. Freud would have had a field day. The 384 pages offer plenty of plot twists, humor, graphic but not prurient sex, didacticisms, some magic realism (North American-style) and a consistent view of life that might be termed ``rebellious romanticism'' for the 1990's. A different view of the West where the bisexuals and prostitutes wear the white hats, gender is up for grabs, and every permutation of love will have its way. -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Loved it!
By Candi Sary
"The Man Who Fell In Love With The Moon" is like no other book I've ever read. Spanbauer is a fabulous storyteller! He does something magical on the pages as he brings his characters and scenes to life. The book's unique perspective of the Old West is fascinating. Yes, his characters are flawed and sometimes behave in ways that made me uncomfortable, but that's part of what makes the book so interesting. I read a review where the reader gave the book a low rating in part because she thought the mother was such a terrible person. I love when fiction offers "terrible people" and presents their stories so thoroughly that we might understand why they did what they did. I love a true exploration of human nature, not a safe, ideal presentation. Spanbauer doesn't hold back with his characters. He shows the ugly, the beautiful, the unspoken and the outrageous, creating a story so raw and honest, it's hard not to get caught up in his bizarre world. I opened my mind, stepped outside of myself, and just took in the experience. Every day I looked forward to picking up the book as I had no idea what to expect next! This is a most memorable and thought-provoking read.
0 of 0 people found the following review helpful.
Brilliant language, images, characters, caughtt in psychic whirl
By John B. Hills
The novel took and held my attention throughout. The language is bold, the images arresting (native Americans eviscerated in reservation ghetto; bacchanalian couplings of a boy with old men, old women; ordinary folk & LDS "at war"; elusive berdache mysticism). The tale is of an Idaho frontier world made up of extraordinary characters, brought through rousing adventures to bizarre, open-ended "transition", rather than to "death". Mind-altering drugs have both a destructive and a beneficial role in the lives of the characters. Toward the end of the novel, everyday plausibility seemed remote to this reader. A book for the open minded and forbearing, for those with a sense of humor. The author's more recent, "Now is the Hour", reveals more fully his gifted, original and haunting way with words and imagery, his insight into human nature, his control of sub-plots and total narrative. "Now is the Hour" also significantly sets forth the inherent worth of gayness. Characters not easily forgotten, truths not to be ignored make this reader hope that the writer will weave another fabric from these sorts of threads.
2 of 2 people found the following review helpful.
Great journey that stretches the imagination!
By Maurice Williams
Wow, what an incredibly trippy ride through the Wild West! Set primarily in the gold mining town of Excellent, Idaho during the early 1900's, this novel is filled with adventure and history, magic and adventure, love and debauchery, philosophy and religion. "The Man Who Fell in Love with the Moon" is one of the more creatively imagined novels that I've come across recently. At its core is the coming of age story of the main character and narrator Shed, whose quest for a fuller understanding of self leads him on an odyssey that ends, as many do, exactly where it started. In the telling of this story, Spanbauer reinforces the idea that it's rarely the destination but the journey that transforms. Populated with characters both loveable and detestable the novel intertwines each character's story in a way that allows for an exploration of Native American beliefs, frontier values and the human debris that results when the two collide.
It's also a story about the importance of stories; "You can't stop people from talking" - explains Ida, the novel's heroine - "They talk and pretty soon you got a story, and what's a human being without a story?" "The Man Who Fell in Love with the Moon" is not for the faint of heart. It can be seen as modern day ribald in the tradition of Chaucer's Canterbury Tales or an insightful philosophical debate on the nature of the human soul, or both. Vices and virtues intersect in this novel in ways that are at once shocking and enlightening. So get ready for a wild ride on this airship in route to a visit with the man in the moon. These are stories that are comforting and unsettling, familiar and eye opening. But, "you got to consider the source", cautions Ida, "a story about a crazy man, told by crazy people should only make you wonder." Kudos to Spanbauer for superb execution and many thanks to Dave M. for this recommendation. Enjoy!
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