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The Abyssinian Contortionist: Hope, friendship and other circus acts, by David Carlin
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Sosina Wogayehu learned to do flips and splits at the age of six, sitting on the floor of her parents' living room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the Ethiopian streets at the age of eight, and she played table soccer with her friends who made money from washing cars, barefoot in the dust. And, she dreamed of being a circus performer. Twenty-five years later, Sosina has conjured herself a new life in a far-off country: Australia. Along the way, she helped rescue one brother, yet she lost another. Sosina has traveled the world as a professional contortionist, capable of bounce-juggling eight balls on a block of marble. She performed with Circus Oz (Australia's premier circus company) from 2002-2009, and she appeared in Peter Jackson's 2005 remake of King Kong. Sosina was also a 2007 nominee for the Australian of the Year Award. Additionally, Sosina has been able to juggle worlds and stories, and, by luck - which is something she is not short of - she is friends with author David Carlin. Following his acclaimed memoir Our Father Who Wasn't There, David Carlin brings us his 'not-me' book, traveling to Addis Ababa where he discovers ways of living so different from his own and where he confronts his Western fantasies and fears. Through Sosina's story, David shows us that, with risk and enough momentum, life's circumstances are never predictable: whom we befriend, where we end up, and how we come to see ourselves. *** "...Carlin is a master storyteller who is well-equipped for the challenge of capturing the life of a woman about whose culture, at the outset, he knows practically nothing. The subject of The Abyssinian Contortionist is clearly a remarkable person of unusual social mobility and ability, yet Carlin manages to navigate the high-wire act of astute observation without falling into hagiography....his writing is so crisp and vivid that, on reading its final pages, I felt a deep satisfaction and a longing for more. - Andrew McMillen, The Australian, May 2015�œ[Subject: Biography, African Studies, Australian Studies, Women's Studies, Refugee Studies, Diaspora Studies]
- Sales Rank: #3803971 in Books
- Published on: 2015-03-02
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .55" w x 5.98" l, .0 pounds
- Binding: Paperback
- 244 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Throughout 'The Abyssinian Contortionist', David Carlin's writing is crisp and vivid.
By Andrew McMillen
A biography written across several years in real-time, in the immersive style of narrative non�fiction, 'The Abyssinian Contortionist' is a book as striking and memorable as its cover art. Its author, Melbourne-based writer and teacher David Carlin, charts the course of his friendship with a circus performer named Sosina Wogayehu, who was born in Ethiopia, visited Australia as a teenager in the late 1990s, and has lived and worked here since.
It feels strange to summarise Wogayehu in a sentence as stark as that, however, as hers is a story of such emotional depth and complexity that it is certainly deserving of a book-length narrative. In Carlin, we have a narrator of rare honesty and bald self-doubt. On numerous occasions he makes clear to the reader that this story was written in close collaboration with its subject: he writes of poring over early drafts of the manuscript with Wogayehu, taking in her feedback and sharpening his prose accordingly.
At one point, while visiting an Ethiopian locale of special significance, he writes, “I look across at Sosina relaxing in the cool air, chewing on her lunch. ‘Do you think this is where the book should end?’ I ask her.” (The answer is self-evident, as the story continues for another 10 pages.)
This meta, self-reflexive style of writing easily could have been a gimmick, and quickly tiresome, but from the outset it is clear Carlin is a master storyteller who is well-equipped for the challenge of capturing the life of a woman about whose culture, at the outset, he knows practically nothing. The subject of 'The Abyssinian Contortionist' is clearly a remarkable person of unusual social mobility and ability, yet Carlin manages to navigate the high-wire act of astute observation without falling into hagiography.
Wogayehu’s story begins in her birthplace, the national capital of Addis Ababa, where the eight-year-old entrepreneur earns pocket money by selling single cigarettes to passers-by each afternoon after school. (This fact alone speaks volumes of her canny character.) Life in Ethiopia is tough, and although her father has a job at a local brewery and her mother runs a combined hotel, restaurant and cafe attached to the family home, their means are limited. Sosina teaches herself how to bend her body into seemingly impossible shapes by watching a weekly German variety show on the only television station in the land, and it is in the family lounge room that her career as a contortionist and circus performer takes root.
So she joined Circus Ethiopia, a group that performed on Broadway in New York, in London and Europe, and in Australia. A scandal erupted within the ranks of the performers, who were disturbed by their exploitation, financial and sexual, during a visit to our shores. The man at the centre of subsequent charges, Marc LaChance, committed suicide after confessing his sins of pedophilia. A splinter group of 15 performers, mostly teenagers, fled Circus Ethiopia seeking humanitarian asylum from the Australian government, which eventually relented by agreeing that Sosina and her friends could stay.
It was while working as a director for Circus Oz — “among trapeze bars and tightwire walkers”, as he puts it — that Carlin crossed paths with the young performer, who had recently graduated from the Australian national circus school. As he notes at the beginning, he was drawn to make a book “that traced the contours of the gap” between the two of them. Carlin states early in the piece that he was also looking to write about something other than himself, having published his acclaimed debut in 2010, 'Our Father Who Wasn’t There', about his father’s suicide when Carlin was six months old, and his resultant search for paternal figures.
This story, however, would have been a far less compelling read if it were a straight biography, as Carlin-as-narrator is present throughout its telling. His regular asides are by turns poignant and comedic, as the narrative smartly jumps between reconstructed scenes from the past and first-person observations in the present without jarring the reader. This is quite a skill, and it is one of Carlin’s chief achievements here, as the book was written across several years and includes two visits to Ethiopia. The closing chapters see Carlin tagging along to his subject’s home town following a death in the family, where he is allowed the rare privilege of bearing witness to the startlingly wide-screen, surround-sound manner in which Ethiopians mourn and grieve. In these scenes, Carlin’s fish-out-of-water presence — as a tall white guy among a sea of dark skin — is never clearer, and his insights into this foreign culture are many and worthy. Throughout 'The Abyssinian Contortionist', his writing is so crisp and vivid that, on reading its final pages, I felt a deep satisfaction and a longing for more.
(Review originally published in The Australian, May 2 2015: http://www.theaustralian.com.au/arts/review/the-abyssinian-contortionist-biography-of-a-circus-performer/story-fn9n8gph-1227328738897)
0 of 0 people found the following review helpful.
Relished every word
By Tins
Written with gentleness and honesty about an extraordinary woman, The Abyssinian Contortionist is intermingled with the lovely and curious friendship of author and subject. This is 'must read' biography of a different kind.
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