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Songwriter's Market 2016: Where & How to Market Your SongsFrom Writer's Digest Books
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THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS
For nearly 40 years, Songwriter's Market has provided songwriters and performing artists with the most up-to-date information needed to place songs with music publishers, find record companies and producers, obtain representation with managers, and much more. Featuring a holistic focus on all aspects of songwriting--from idea generation to marketing--this completely updated edition has more resources than ever before, giving you the tools and first-hand knowledge you need to launch your songwriting career.
You'll also gain access to:
- Articles on improving and honing your songwriting craft: from finding your voice to using rhyme and alliteration to create a better song
- Technical pieces on project management, the best tools for songwriting on the go, and using social media to your advantage
- New interviews with industry executives and insiders
- Hundreds of songwriting-placement opportunities
- Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, venues, and grant sources (helpful for indie artists looking to record and tour on their own)
"This book is for the self-starters, the hard workers, and the driven songwriters. Writing songs is only the first part of the journey. Once you've crafted the perfect song, you need to get it into the right hands. Songwriter's Market provides you with the tools you need to do just that." --Ben Camp, assistant professor of songwriting at Berklee, songwriter for Sony/ATV, and songwriter for artists on Columbia, Sony, and Universal
"For many years, my role in the music industry has been as a director, and now an owner, of a global songwriter membership organization. Through my experience, I know that songwriters consistently refer to the Songwriter's Market as a go-to resource for credible services, information, and connections." --Sheree Spoltore, founder and president of Global Songwriters Connection and former assistant executive director of Nashville Songwriters Association International
- Sales Rank: #108774 in Books
- Published on: 2015-11-02
- Original language: English
- Number of items: 1
- Dimensions: 9.13" h x .88" w x 7.00" l, .0 pounds
- Binding: Paperback
- 332 pages
About the Author
Cris Freese is the associate editor of Writer's Digest Books and the Writer's Market series. He also writes the Standout Markets column and the feature articles on competition winners for Writer's Digest magazine.
Most helpful customer reviews
4 of 4 people found the following review helpful.
This will get you started...
By baffled
In my long hunt for the hidden treasure of publishers interested in listening to songs by unknown songwriters such as myself, this book offers more to the pirate treasure map than what I had previously. In other words, the book provides lists and contact information for several music publishers of the genre I write in (CCM & Worship), but there really aren't but a few listed that are accepting unsolicited song submissions. I have to admit that I have more information than before I purchased this book, but much of that tells me of more publishers who have their doors closed. So, we'll see what happens with the 3 or so publishers who are actually accepting songs in my narrow genre.
A few more thoughts about the lists of publishing opportunities: The lists are not up to date. Some of the publishers listed no longer exist. Others do not have the right contact information - but you can still search for the right contact info via websearch. I also recommend going to the publisher websites to verify the song submission rules stated in the book (because the book sometimes has it half-right).
The book contains articles and other helpful insights for songwriters. Those articles are worth reading.
The book also contains a list of songwriter organizations. One claims that it will give you something for free if you contact them and mention the book and its offer. I contacted them and asked but still haven't heard back from them in about 1 month since my effort to cash in. The book also lists some songwriting competitions, some that I have heard of and some that I have not.
So, if you are like me and love writing songs, hope to get one or more songs published, and have no publishing contacts, then this book is worth its cost - I recommend it. I would definitely suggest starting here rather than paying much of anything for the endless services out there to make money off of wanna-be songwriters such as myself (and perhaps you). This book provides a good starting point, and I suggest using it also for ideas on how to find other opportunities.
2 of 2 people found the following review helpful.
Interesting and useful, not as much information as other entries in the series
By Reasonable Reviewer
In general, I am a fan of these Writer's Digest books that give information to aspiring artists and writers on where to sell their wares.
This particular book is divided into sections, choral work buyers, classical work buyers, producers, agents, etc.
Between the sections, there are useful essays on how to be effective in marketing and selling your works.
One caveat, almost all of the information in the book is available to the determined Google searcher.
Also, there apparently are not a lot of venues to sell songs and chorale productions.
All in all, it is a small investment to buy this book if you are beginning your journey to become a professional song writer.
2 of 2 people found the following review helpful.
Mostly obsolete and irrelevant information
By Mac Williams
Why bother listing all the publishers that won't accept unsolicited submissions? Aren't the people that buy this book by definition seeking to submit unsolicited material? Why else buy the book? Also, a lot of the information is horribly obsolete:
Submit material through:
MySpace!
Cassette!
VHS!
Are you kidding me? Whoever slapped this thing together must have been asleep.
If you have to double check everything on the internet to make sure it's up date... I mean, isn't that what the writers of the book were supposed to do?
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