Minggu, 28 Oktober 2012

[D775.Ebook] Free PDF The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier

Free PDF The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier

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The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier

The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier



The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier

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The Designful Company: How to build a culture of nonstop innovation, by Marty Neumeier

“The complex business problems we face today can’t be solved with the same thinking that created them,” says author Marty Neumeier in this entertaining and original read. Instead, he says, we need to start from a place outside traditional business thinking. In an era of fast-moving markets and leap-frogging innovations, we can no longer “decide” the way forward. Today we have to “design” the way forward—or risk ending up in the fossil layers of business history.

This is the third in the author’s bestselling series of “whiteboard overviews.” In his first, THE BRAND GAP, he addressed the gulf between business strategy and customer experience. In his second, ZAG, he explored the number-one strategy of high-performance brands. In the third, THE DESIGNFUL COMPANY, he shows how design thinking can build a culture of nonstop innovation. “If you wanna innovate,” he says, “you gotta design.”

Excerpts from The Designful Company
(Click images for larger versions)

  • Sales Rank: #375398 in Books
  • Published on: 2008-12-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x .80" w x 5.30" l, .64 pounds
  • Binding: Paperback
  • 208 pages

Review

Garr Reynolds on The Designful Company

Branding guru Marty Neumeier understands that we are all very busy, so he crafts his books to make a big impact in less than 200 pages. His previous bestsellers, The Brand Gap and Zag are provocative, informative, and inspirational books that I use every semester in the Marketing class I teach. Like his previous books, The Designful Company is a lesson in simple, clear, and beautiful presentation, and the contents are a powerful complement to his earlier ideas.

Early in this book, Marty makes the case for the power of design and aesthetics and why they matter today more than ever. Innovation and design are key in the transformation of an organization; everyone says "innovation" matters. The term has become a mere platitude, a sort of tag-line for many organizations. In the book Marty explains how to actually build a culture of change that embraces design by focusing on 16 key levers such as weaving a story, bringing design management inside the organization, introducing parallel thinking, recognizing talent and creativity, and more.

One of the levers of change that I found particularly interesting (obviously, given what I do for a living) was the lever #8: "Ban PowerPoint." This is, ban the awful, death-by-PowerPoint approach and replace it with a more engaging and powerful presentation method. If you have an innovative company that truly understands design and creative collaboration, then you have to abandon the dull, lifeless, and typical PowerPoint presentation for compelling stories and conversations that are visual, simple (without being overly simplistic), and memorable.

"If a business is really a decision factory, then the presentations that inform those decisions determine their quality," says Marty. But a change in presentation approach is only a small part of the transformation. This book is about how to kick-ass though a greater understanding of your potential for creative collaboration.

I highly recommend The Designful Company. Even seasoned marketing, branding, and design pros will find the book an inspirational refresher with concrete ideas. And if this is your first Marty Neumeier book, you'll be blown away. Wonderful, fresh content and a little book that is a visual tour de force.

Garr Reynolds is the creator of the most popular Web site on presentation design and delivery on the net. Garr’s book, Presentation Zen, features a foreword from Guy Kawasaki and is endorsed by such industry luminaries as Seth Godin. Together his Web site and book have fundamentally changed the way people around the world create and give presentations.



“The first important book of the year. In the tradition of IN SEARCH OF EXCELLENCE and BUILT TO LAST, THE DESIGNFUL COMPANY changes the way we think about business. During these challenging times, when doors are shutting all around us, Neumeier’s book opens a big window.”
—ALINA WHEELER, AUTHOR OF DESIGNING BRAND IDENTITY

“In another short but very sweet book, Neumeier introduces us the aesthetics of management. The Designful Company makes a great contribution to our understanding of design as a core business competence.”
—ROGER MARTIN, DEAN OF THE ROTMAN SCHOOL OF MANAGEMENT, UNIVERSITY OF TORONTO, AND AUTHOR OF THE OPPOSABLE MIND

“If this is your first Marty Neumeier book, you'll be blown away. Wonderful, fresh content presented as a visual tour de force.”
—GARR REYNOLDS, PROFESSOR OF MANAGEMENT AT KANSAI GAIDAI UNIVERSITY, AND AUTHOR OF PRESENTATION ZEN

“Form follows function?� Form is function!� In The Designful Company, Marty Neumeier lays out a powerful case that business innovation is a byproduct of design thinking. Follow these rules and your company can innovate faster, collaboratively and continuously.”
—JOHN GERZEMA, CHIEF INSIGHTS OFFICER AT Y&R, AND AUTHOR OF THE BRAND BUBBLE

“Design thinking has the potential to step-change all aspects of innovation in business. When you need a disruption, when market dynamics are changing, when new sources of growth are needed—companies that focus on design have a competitive edge.”
—CLAUDIA KOTCHKA, VP DESIGN INNOVATION AND STRATEGY, P&G

“At last! A book that clearly articulates how and why design is absolutely fundamental to the success of business today. Chock-full of great insights.”
—THOMAS LOCKWOOD, PhD, PRESIDENT OF DESIGN MANAGEMENT INSTITUTE

“No filler. No fluff. Marty Neumeier has distilled his message on innovation and design down to just the good stuff.� Read the whole book on your next flight, and arrive with fresh insights ready to share.”
—TOM KELLEY, GENERAL MANAGER OF IDEO, AND AUTHOR OF THE TEN FACES OF INNOVATION

“In the first half of this book Neumeier presents a good argument for the ‘what’ and the ‘why’ of the designful company and in the second half he gives us a decent prototype for the ‘how’. If you don’t see that calling it a ‘decent prototype’ constitutes high praise, you need this book.”
—FRED COLLOPY, PROFESSOR AT THE WEATHERHEAD SCHOOL OF MANAGEMENT, CASE WESTERN UNIVERSITY, AND CO-AUTHOR OF MANAGING AS DESIGNING

Required reading for addressing “wicked problems”!
—PETER LAWRENCE, CHAIRMAN OF CORPORATE DESIGN FOUNDATION

From the Back Cover
Part manifesto, part handbook, THE DESIGNFUL COMPANY provides a lively overview of a growing trend in management-design thinking as a business competence. According to the author, traditional managers have relied on a two-step process to make decisions, which he calls "knowing" and "doing." Yet in today's innovation-driven marketplace, managers need to insert a middle step, called "making." Making is a phase in which assumptions are questioned, futures are imagined, and prototypes are tested, producing a wide range of options that didn't exist before. The reader is challenged to consider the author's bold assertion: There can be no real innovation without design. Those who are new to Marty Neumeier's "whiteboard" series may want to ramp up with the first two books, THE BRAND GAP and ZAG. Both are easy reads.
Covered in THE DESIGNFUL COMPANY:
- the top 10 "wicked problems" that only design can solve
- a new, broader definition of design
- why designing trumps deciding in an era of change
- how to harness the "organic drivetrain" of value creation
- how aesthetics add nuance to managing
- 16 levers to transform your company
- why you should bring design management inside
- how to assemble an innovation metateam
- how to recognize and reward talent
From the back cover:
The complex business problems we face today can't be solved with the same thinking that created them. Instead, we need to start from a place outside traditional management. Forget total quality. Forget top-down strategy. In an era of fast-moving markets and leap-frogging innovations, we can no longer "decide" the way forward. Today we have to "design" the way forward-or risk ending up in the fossil layers of history. Marty Neumeier, author of THE BRAND GAP and ZAG, presents the new management engine that can transform your company into a powerhouse of nonstop innovation.

About the Author
Marty Neumeier's professional mission is to "incite business revolution by unleashing the power of design thinking." He does this by writing books, conducting workshops, and speaking internationally about the power of brand, innovation, and design. His bestselling "whiteboard" books include THE BRAND GAP, ZAG, and THE DESIGNFUL COMPANY. His video, MARTY NEUMEIER'S INNOVATION WORKSHOP, combines highlights from all three books into a hands-on learning experience. Marty serves as Director of Transformation at Liquid Agency, and divides his writing time between California and southwest France.

Most helpful customer reviews

11 of 14 people found the following review helpful.
A tough sell, but worth a crack . . .
By Rob Holland
Marty Neumeier calls his books "whiteboard overviews" and indeed in format they attempt to avoid long stretches of gray and make their points without elaborate argument or proof. In this book, Neumeier attempts to come at contemporary corporate cultures as they face our breakneck markets, and convince us all that we need to be more creative and innovative. You might say, "Duh."

The problem, though, is not that we lack creativity, but that the corporate cultures we build up around innovative products and services soon stifle that creativity in the name of control, power, and ego. Thus the GMs of this world, where new ideas have not been seen since your father's Oldsmobile, are dying under the weight of what they have built.

Neumeier's theory sets out the proposition that if we put design (in a broadened definition) at the forefront of our priorities and our processes, we can build companies that can respond to the innovative demands of the culture. This means rescuing the high creatives from their pigeonhole of "exotic menials" in a "professional ghetto" and empowering them. As someone who is probably regarded as such an "exotic menial" in a highly bureaucratic, hierarchical organization, I can only say "good luck." It may be better to let natural selection do its work.

Still, Neumeier makes an appealing if not compelling case, and offers a good many useful ideas for techniques to break down barriers to innovation. The book is, if nothing else, a good conversation starter.

10 of 13 people found the following review helpful.
Inspiring and thought provoking.
By Alfredo Muccino
I find that Marty Neumeier's books (and I will refer to him as Marty, from here on) raise more questions than they provide answers...and it is my experience that they stimulate great professional dialogue and a fair share of stimulating thinking. And "The Designful Company" is no exception.

In this book, Marty proposes big ideas in simple words that leave you wanting for more (in a good way). As a branding expert with a career that spans over 25 years in this profession, I have read few books that are more inspiring or thought provoking.

The premise of The Designful Company is that in order to gain control of a company's future we need to embrace the practice of design. Of course, in Marty's language "design" is a very powerful transformational tool that does a lot more than just "styling". Instead, Marty's design is about process and people and ideas driven by a desire to improve "performance" not aesthetics. He completely re-designs the idea of design.

Within our business, I've always insisted that "design" has little or nothing to do with "art". I believe that design is about creating purposeful change for the better...and I think that for design to be effective one must have a clear set of goals. In his book, Marty argues that the ultimate goal of a sustainable business is long term profit....and design is the starting point for a chain reaction that goes something like this: Design drives innovation; innovation powers brand development; brand builds loyalty; and loyalty results in profits.

Of course, I don't agree with everything that Marty proposes...but there's plenty in the book that I found to be intriguing and inspiring. For example, I loved the way that Marty re-invents the idea of aesthetics, and catapults it to an entirely new level that goes well beyond making things pretty. Marty's chart titled the "Aesthetics of Management" completely redefines the meaning of aesthetic principles in terms of business issues...and I will definitely be using this in future meetings and presentations (and, obsequiously credit the author). In this chart "Contrast" deals with "How do we differentiate ourselves?". "Depth" defines "How can we succeed at many levels". And, "Focus" refers to "What should we NOT do?".

Halfway through the book, Marty suggests that there are 16 "levers for change"...and that these "levers" hold the key to designing a new future for business. Apparently, you don't have to use all of them...and they need not be applied in any particular order. I found that some are more helpful than others...but I guess that this is exactly the point: Marty is inviting us to pick and choose which to use and which not to use...and therefore become the designers he invites us all to be.

In summary I really recommend this book to anyone interested in "designing" a better company, however, I found Marty Neumeier to be a little misleading when he described his book as a "quick read". That may very well be, but The Designful Company is far from light reading. It is a thought provoking, idea changing, extremely powerful book that will greatly influence the way I think about how design can change my company, the companies of my clients, and the world as a whole.

Read it and be ready to change your mind about a lot of things.

Alfredo Muccino
Chief Creative Officer
Liquid Agency | Brand Marketing
[...]

10 of 13 people found the following review helpful.
Neumeier's most valuable book so far
By Robert Morris
Those of us who have read Marty Neumeier's The Brand Gap (2003) and/or Zag (2006) realize that he has a tough act to follow: himself. In these previously published "whiteboard overview" books, he shared his thoughts about the gap "between logic and magic," and then zoomed in to help readers "build a sustainable competitive advantage." He explained how and why, when focus is paired with differentiation, supported by a trend, and surrounded by compelling communications, "you have the basic ingredients of a zag"--in other words, a point of radical differentiation. In his most recent book, Neumeier briefly reviews these and other key ideas before shifting his attention to the challenge of organizing a company for agility by developing a "designful mind": that is, a perspective that enables decision-makers to invent the widest range of solutions for the "wicked problems" now facing their company, their industry, and their world.

Neumeier is president of Neutron, a San Francisco-based firm, that designs and facilitates culture-change programs that spur innovation. In co-sponsorship with Stanford University, his firm conducted a survey to identify "wicked problems"--problems so persistent, pervasive, or slippery that they seem insoluble. Ten are listed on Page 2 and range from "balancing long-term goals with short-term demands" to "aligning strategy with customer experience." In this book, Neumeier explains how to establish and then sustain a culture of nonstop innovation, one that is guided and informed by a discipline of design so that it generates nonstop solutions to whatever wicked problems it may encounter. (Note: The solution process must be nonstop in response to constant changes of the nature and/or extent of each problem to be solved.)

According to Neumeier, a designful company inserts "making" between "knowing" and "doing." Its designers don't actually solve problems. They "work through" them. They use non-logical processes that are difficult to express in words but easier to express in action. They use models, mockups, sketches, and stories as their vocabulary. They operate in the space between "knowing" and "doing," prototyping new solutions that arise from their four strengths of empathy [i.e. understanding the motivations of stakeholders to forge stronger bonds], intuition [a shortcut to understanding situations], imagination [new ideas are generated by divergent thinking, not convergent thinking], and idealism [an obsession with getting it right, obtaining what is missing, making whatever changes may be necessary, etc.]. One of Neumeier's most important points is that any organization (regardless of its size or nature) needs designers at all levels and in all areas of its operations. "To build an innovative culture, a company must keep itself in a perpetual state of reinvention. Radical ideas must be the norm, not the exception...Companies don't fail because they choose the wrong course--they fail because they can't imagine a better one."

As is also true of two predecessors, The Brand Gap and Zag, The Designful Company is a "whiteboard overview" rather than a traditional book in terms of both its design and content. Although Neumeier's unorthodox approach will no doubt irritate some people, I think his approach is both appropriate and effective. To those who are thinking about purchasing this book, I presume to offer several suggestions. Keep in mind that the presentation of Neumeier's counterintuitive ideas requires the format and illustrations selected. He offers a briefing on options to consider when designing and then building a culture of nonstop innovation. It remains for readers to work their way through the material in whatever order works best for them. Read all of the customer reviews of it that Amazon features. (FYI, I never read other reviews until after I have submitted my own.) This is not a book for everyone, nor does Neumeier make any such claim.

If you read the book and then decide to act upon several of his suggestions, be prepared to encounter what James O'Toole has aptly characterized as "the ideology of comfort and the tyranny of custom." Radical ideas and their advocates are perceived to be--and they are--serious threats to those who defend the status quo. Neumeier has much of value to say about the power of effective storytelling when attempting to engage others in change initiatives. He correctly observes that stories aligned with key messages should be simple, unexpected, concrete, credible, and emotional. (Please see Pages 88-95.) I also highly recommend books on business narratives written by Stephen Denning (The Leader's Guide to Storytelling), Doug Lipman (Improving Your Storytelling), and Annette Simmons (The Story Factor).

As these brief remarks indicate, I think this is Marty Neumeier's most important--indeed his most valuable--book thus far because he addresses issues that are relevant to an organization's entire culture whereas, previously, he focused on a specific organizational imperative such as bridging the distance between business strategy and customer experience with five interconnected disciplines or using the first and most strategic of those disciplines to achieve radical differentiation.

See all 65 customer reviews...

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Sabtu, 27 Oktober 2012

[N515.Ebook] Download PDF The music of the Temporalists, by André Pogoriloffsky

Download PDF The music of the Temporalists, by André Pogoriloffsky

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The music of the Temporalists, by André Pogoriloffsky

The music of the Temporalists, by André Pogoriloffsky



The music of the Temporalists, by André Pogoriloffsky

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The music of the Temporalists, by André Pogoriloffsky

A Parisian drugstore owner (Andr� Pogoriloffsky), a man in his early fifties, who is also a skilled amateur piano player, experiences a two year long mental trip to a parallel (Temporalist) world, as an avatar. He will soon find out that he was purposely "imported” there in order to be taught the basics of that culture’s music theory. Pogoriloffsky is permanently accompanied by a local musicologist – Jean-Philippe, an expert in the European musical tradition – and, for a while, initiated by an old psychologist (Herr Sch… etc.) in the cognitive aspects of Temporalist music theory. The two men ask Pogoriloffsky to memorize as much as he is capable to from the theoretical notions that he is presented with so that, once returned to Paris, be able to transcribe all that information for the use of his own musical culture. In order to become more familiarized with Temporalist music and musical interpretation, in the following months Pogoriloffsky tours an important number of music schools, universities, musical libraries, concert halls and audition rooms or is encouraged to attend various lectures and conferences.
The music of the Temporalists describes a journey into a parallel world that is populated with humans like us who just happened to have cultivated music as "the art of time” and not as "the art of sounds”. Pogoriloffsky recounts all that experience with honesty, doing his best to meet his two guides’ expectations. For this reason, with a very few exceptions, he only describes Temporalist music theory, pedagogy and practice – ignoring most of the unusual things that the parallel world (in which he spends more than two years) surprised him with.

The book is composed of a 30 pages long fictional introduction, a 115 pages long description of the Temporalist music theory (and history), a 10 pages long fictional ending and a table of references.

Evidently, the main focus of the book resides in the music theory chapters that contain a perceptual approach towards the way humans process the many possible aspects of discrete, musical time. The theory is the result of a 20 year long effort by its author to define an alternative system for the classical bar-rhythmical theory. In order to achieve that, he had to read literally thousands of pages of scientific contributions, articles and books on time perception/cognition and rhythm production – all that being consequently filtered down to a standalone theory, presented in the main section of the book.

Thus, along the 28 theoretical chapters the book presents all the perceptual thresholds extant in the 20-3000 ms per musical pulsation range, along with the musical implications of each and every such threshold. It also introduces many other perceptual phenomena (e.g. entrainment, chunking, subjective accentuation, pulsatory inertia, temporal gap perception etc.), thus mapping all the aspects of temporal discretization that are relevant from a musical point of view.

In order to achieve cohesion and accessibility, the theoretical system is presented as if it already constituted the basis of a complex, hands-on, musical tradition.The inherent shortcomings of this kind of fictional musicology are well counterbalanced by the fact that musicians who will read the book will benefit from the fact that the theory is presented as a real, fully functional system. It could never be stressed enough the fact that, despite the unusual approach, the theory itself is all but 100% based on real perceptual phenomena substantiated by the many scientific studies mentioned above and detailed in the list of references.

  • Sales Rank: #563495 in eBooks
  • Published on: 2011-11-28
  • Released on: 2011-11-28
  • Format: Kindle eBook

Review
Although ostensibly a theoretical text, Pogoriloffsky's book employs a fictional narrative in order to transport the reader to a place where their assumptions might be experienced without bias. As the book's protagonist, he is initiated in the world of the 'Temporalists' in a manner reminiscent of Borges. Here, the reader encounters a world that mirrors ours, albeit with some important musical differences. In taking this imagined world to the realm of the absurd, Pogoriloffsky creates a vehicle for understanding a specific idea in our world.
-- Sean Lowry
academia.edu/7506760/Are_We_There_Yet

Pogorilowski's musical conceptions clearly come across as hard earned, serious and very well considered. The man has really done his homework, and the book's accompanying bibliography could keep you reading for a good couple of years. It offers a great resource. Pogorilowski's contribution adds a systematic bent that might encourage & enable musicians to more deliberately cultivate time in new ways in their own work.
-- Patrick Brennan (Arteidolia)
arteidolia.com/pogoriloffsky-time-outside-patrick-brennan/

Very thoroughly researched and well presented. This book opens up a world of, as yet, untapped compositional possibilities. If nothing else, the authors exhaustive research into the psychological perception of music, rhythm and tempo, makes this book worth a read. The theoretical discipline of western 'classical' music is perhaps a little guilty of having focussed too much on the harmony side of music with a distinct lack of treatises on rhythm, tempo and time. Here's one book that seeks to address the balance.
-- Cliff Bradley (composer)
cliffbradleymusic.com/music/home.html

This interesting book describes a journey into a parallel world that is populated with humans who just happened to have cultivated music as "the art of time" and not as "the art of sounds". It's a fascinating fantasy world sure to engage any musician or music learner!
-- Eugene Cantera (dlp Music Program)

Every now and then a creative different look at something we think we really know comes along. "The music of the Temporalists" book qualifies in the different-creative-way category of music theory books.
-- Mark Polishook (pianist)

Within an imaginary frame an alternative to the classical bar-rhythm theory is proposed, based on an empirical study of key phenomena of temporal discretization, including entrainment, chunking, subjective accentuation, pulsatory inertia, and temporal gap perception.
-- Jadranka Vazanova (Senior editor - R�pertoire International de Litt�rature Musicale)
bibliolore.org/2014/01/08/the-music-of-the-temporalists/

What if Western music understanding was developed to emphasize pulse and tempi rather than melodies and harmonies? What if there were a common, constructed understood speeds or tempos at the same level as octave division into twelve equal intervals, carved in stone of Bach's "The Well-Tempered Clavier"? This has Andr� Pogoriloffsky tried to find out in the fresh book "The Music of the Temporalists".
-- Maja Solveig Kjelstrup Ratkje (ratkje.no/2015/06/temporalistene/)

[…] this is a remarkable book, combining weird fiction, musicology, and acoustical science; truly one of a kind. Enjoyable and recommended for all.
James J. O'Meara (If You Could See What I Hear:
The “Music” of “Andr� Pogoriloffsky” – www.counter-currents.com/2015/10/if-you-could-see-what-i-hear/)

The author clearly has a strong, idiosyncratic thesis underlying his work; however, it painfully lacks the skills to organize and elaborate his vision with clarity or cohesion.
-- Charles Pope Jr.
(ConcertoNet – www.concertonet.com/scripts/livres.php?ID_cd=3648)
This book is worth reading. Unique and highly creative, the author blends investigative music theory with fiction in an arresting way.
-- Franklin St�ver (Composer/Orchestrator/Lexicographer)

From the Author
*�Cheapest pocket size edition (under $14) available here:�createspace.com/5254017�(discount code - $6 off: SGMFVXEG).* The book may also be borrowed, for free, through the Amazon Prime program:amazon.com/gp/prime* As the book is self-translated, the author is seeking for a native English speaker willing to proof read it. If interested, please mail to pogorilowski@gmail.com.

From the Back Cover
Pogorilowski's musical conceptions clearly come across as hard earned, serious and very�well considered. The man has really done his homework, and the book's accompanying�bibliography could keep you reading for a good couple of years. It offers a great resource.�Pogorilowski's contribution adds a systematic bent that might encourage & enable�musicians to more deliberately cultivate time in new ways in their own work.
-- Patrick Brennan (Arteidolia)

Very thoroughly researched and well presented. This book opens up a world of, as yet,�untapped compositional possibilities. If nothing else, the authors exhaustive research�into the psychological perception of music, rhythm and tempo, makes this book worth a�read. The theoretical discipline of western 'classical' music is perhaps a little guilty of�having focussed too much on the harmony side of music with a distinct lack of treatises�on rhythm, tempo and time. Here's one book that seeks to address the balance.
-- Cliff Bradley (composer)

Very curious and refreshing to meet a new look upon the western music theory world.�I am well trained in music theory, but I still got a lot of eye-openers and surprises in�this book. The writing has a good balance between complex music theory and some�good-humored stories. Brilliant book - highly recommended!
-- Terje Winther (composer)

Every now and then a creative different look at something we think we really�know comes along. "The music of the Temporalists" book qualifies in the�different‑creative‑way category of music theory books.
-- Mark Polishook (pianist)

[...] this is a remarkable book, combining weird fi ction, musicology, and acoustical science; truly one of a kind. Since most readers will fi nd the long sections on acoustic phenomena as good as jibberjabber anyway, it took a special kind of genius to decide to present it in the context of a Lovecraftian journey [...]. Enjoyable and recommended for all.--�James J. O'Meara
(If You Could See What I Hear: The "Music" of "Andr� Pogoriloffsky")

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16 of 18 people found the following review helpful.
The neglected side of musical rhythm
By Stephen Malinowski
Historically, music theory has dealt with attributes of rhythm that are largely independent of tempo, such as meter, subdivision, rubato, syncopation, repetition, contrast, and cross-rhythms. A conventional rhythmic analysis of, say, a Beethoven symphony would be just as valid if the piece were played half or twice as fast as usual. There are, however, aspects of rhythmic perception and esthetics that are not independent of tempo (which is part of why a Beethoven symphony is not often performed at half or twice the normal tempo). In his 1994 book, Energies of Musical Time, Pogorilowski laid out a theory of rhythm that dealt with this previously-unaddressed (or, at least, under-addressed) side of rhythm, and he has published the material in several forms since then. I found this latest presentation, Music of the Temporalists, the most accessible (and the most fun). By portraying an alternate universe in which the history of the tempo-dependent and the tempo-independent aspects of music are reversed, he gives the reader a foothold, a context in which his theory can be reified and its implications elaborated, as a sort of thought experiment. After reading Pogorilowski's earlier writings, I was left asking "yes, but what does it mean?" After Music of the Temporalists, my question was "what would such music sound like?"

6 of 6 people found the following review helpful.
Fascinating and truly unique!
By Cortaigne
Though I've never met the man, I'm pretty sure Andrei Pogorilowski wrote this book just for me. A nonstandard music theory based on real-world science, presented as the standard music theory of a fictional alternate world? The premise is so perfect, I couldn't resist, and the book is everything I'd hoped for and more. This alternate world, where rhythm is as central to their music as pitch is to ours, even has a history featuring a conflict between a more naturalistic system (which seems to me analogous to just intonation) and a rigidly quantized system (analogous to equal temperament). I'd say I couldn't put the book down, but that isn't actually true, because as I was reading I couldn't help but stop and work at the computer to try out the many new musical ideas the book was giving me, to actually hear the changes in perception as thresholds of pulse speed are crossed. Embedding this theory in the context of a science fiction story keeps it from being just another dry, quickly disregarded academic text -- and as a fan of H.P. Lovecraft, Robert W. Chambers, William Hope Hodgson, Arthur Machen, and others in that vein of old weird fiction, having long wondered what "the music of Erich Zann" could have actually sounded like, the idea of a whole new music theory from a world apart from our own speaks directly to my tastes. I'd highly recommend this book to anyone interested!

10 of 12 people found the following review helpful.
Music of the Temporalists
By Schell
Although told as a fictional story, the substance of the book is rooted in the real science of human cognition as regards to musical time. It has inspired me to re-examine my own preconceptions of time and rhythm, as well as create new exercises in order to experience the precepts of this imaginative and clever guide. The fictional part of the story is a charming introduction used to bring the reader to a new place where assumptions about time may be challenged and experienced without bias. I am enjoying it a great deal. Highly recommended!

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Jumat, 19 Oktober 2012

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  • Published on: 1705
  • Binding: Hardcover

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Senin, 15 Oktober 2012

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Break Me: A Stepbrother Romance, by Julie Kriss

He was forbidden. He was my first. And now he’s back.

Summer

Six years ago, I gave in to my crush and gave my virginity to wild, sexy Bram Riordan - my stepbrother.

It was amazing. And a mistake. Because weeks later, he threw his life away and went to prison.

I’ve tried to be good. I’ve tried to date good guys. But it isn’t working.

Now Bram is out. He’s big, he’s tatted, and there’s a darkness inside him no one can reach.

And he wants me…

Bram

She was all I thought about for six years, locked in a cage.

She doesn’t know it, but she’s the only thing that kept me sane. The only thing that kept me alive.

I shouldn’t go near her. I sure as hell shouldn’t touch her. But one look at Summer, and I know she’s my salvation. I’ve lost part of myself, but maybe, just maybe, I can get it back.

She doesn’t know what she’s capable of - so I’m going to show her. I’m going to take her past her limits. And we’ll see what happens when two people break…

BREAK ME is a stand-alone story with a happy ending, no cheating, and no cliffhanger. It features explicit sex and a tatted hero with a filthy mouth.

Also by Julie Kriss:
Play Hard: A Stepbrother Romance - www.amazon.com/dp/B01AIXIMLM
Bad Boyfriend: A Bad Boy Romance - www.amazon.com/dp/B01DS8E6GY
Bad Wedding: A Bad Boy Romance - www.amazon.com/dp/B01H2TUKBK/

  • Sales Rank: #99493 in eBooks
  • Published on: 2015-11-19
  • Released on: 2015-11-19
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Must believe in second chances at love
By Mary Szigeti
I liked this book. The very bad boy step brother was a bit of a heartbreaking when you read it but owned up to it. Not sure if what happened with cons and cops are really that way or not. Yes Lisa and Bram have lots of detail sex which was wetting panties. But the twist is that he's an ex con. A lot of writers don't go there. It was a very nice change. It would have been 5 if Nate (her dad) grew some balls.

0 of 0 people found the following review helpful.
So good I didn't want it to end
By joyce favor
I rated 5 it kept me so involved even on my busy schedule. I thought the ex boyfriend stuff was weak but I see how it played into Bram's confidence building. The sex scenes had me weak. The relationship had me panting. It was a great read loved it.

0 of 0 people found the following review helpful.
Wow good
By Christine Abee
This was very good story. I liked summer because he was faithful to her heart. Bram I liked because even though he messed up he tried to do what was right for the father he loved even if he did it backwards.

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Kamis, 11 Oktober 2012

[I138.Ebook] Download Ebook Democracy and Democratization in Comparative Perspective: Conceptions, Conjunctures, Causes, and Consequences (Democratization Studies)B

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This book provides an introduction to democratic theory and empirical research on democracy and democratization. The book first examines conceptions of democracy from the origins in ancient Greece to the present day, then tracks when and where modern democracy has developed. On this basis, the book reviews the major debates and schools of thought dealing with domestic and international causes and consequences of democratization. Based on a systematic distinction between minimalist and maximalist definitions of democracy, the book provides a comprehensive and critical assessment of existing theories. Furthermore, using a comparative, historical perspective, it not only sketches the development in the conceptions of democracy and the corresponding empirical reality but also discusses whether causal relationships differ across periods. Finally, the book documents the way in which all of this has been reflected by the development within the literature. In doing so, the book offers a coherent framework, which students and scholars can use to grasp the literature on democracy and democratization as a whole.

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  • Sales Rank: #1647793 in Books
  • Published on: 2013-12-13
  • Original language: English
  • Dimensions: 8.75" h x 6.00" w x .50" l,
  • Binding: Paperback
  • 256 pages

Review

"[This] book is an excellent reference for any student of democracy and democratisation since it is essentially a well-researched and well-written review and aggregation of the most significant literature on the subject..it should be included in the curriculum of any graduate course on democracy and democratisation."-Nelli Babayan, Freie Universit�t Berlin

About the Author

J�rgen M�ller is Associate Professor in the Department of Political Science at Aarhus University, Denmark.

Svend-Erik Skaaning is Associate Professor in the Department of Political Science at Aarhus University, Denmark.

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Selasa, 09 Oktober 2012

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  • Sales Rank: #324827 in Books
  • Published on: 2006
  • Original language: English
  • Dimensions: 9.25" h x 7.52" w x 1.46" l, 2.61 pounds
  • Binding: Hardcover

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  • Sales Rank: #2095026 in Books
  • Published on: 2010
  • Original language: Japanese
  • Dimensions: 6.38" h x 1.18" w x 8.58" l,
  • Binding: Tankobon Hardcover
  • 432 pages

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1 of 1 people found the following review helpful.
Excellent
By CJ
The book arrived earlier than expected and in perfect condition! a great item for any studying artist or Miyazaki fan alike.

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Kamis, 04 Oktober 2012

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* Do you have the vague sense, or the sure knowing, that there are sexual experiences that still haunt you? * Do you wonder if you're just one of the unlucky ones? * Do you wonder how this can happen in the United States? * How far is it okay to push someone sexually? * Is it ever alright to hit someone you love? Every day, millions face the emotional and physical horrors of sexual assault and intimate partner violence, and their aftermath. In our rape- and male-violence-prone culture, millions of women (of all races and ethnicities), children (of all genders and ethnicities), and adolescent and (even) adult men (across all social divisions) are victimized – predominantly by male perpetrators enacting a hegemonic violent masculinity. The dual suffering of victims (the assault and its long-term aftermath) complicates both individual-level and societal-level mental health, and makes us all less safe. But this gendered violence is not an innate biological imperative of the human species. The anthropological evidence proves that our present culture of violence is not a genetic mandate. Men and women in other times and places have enacted gender and sexuality differently – demonstrating that our current relationship with gendered violence is cultural – not biological. We can redirect our culture. We – collectively – create it, and therefore, we can change our society. We can heal as individuals. Those who have been victimized can come to recognize that nothing in them caused their assailant to perpetrate. AND we can heal as a collectivity. We can learn to relate to each other differently. We can break our addiction to violence. Using a compelling mix of personal stories, pointed poetry, and the realities of social fact, "I Trusted You" guides the reader to grasp the magnitude of the problem, to understand the experience of sexual and interpersonal trauma, to recognize that the fault lies with the perpetrator (not the victim) of sexual or interpersonal violence, to see the importance of refusing to use sex and relationships to cause harm, and to conceive of different gendered interactions for our collective future. "I Trusted You" is a book to liberate those who have been perpetrated against – to heal their wounds and facilitate their transitions from victims to survivors. "I Trusted You" is a book to touch the hearts of (present, former, and would-be) perpetrators – to cause them to see – and be moved by – the shared humanity of their (actual or potential) victims. "I Trusted You" is a book to revolutionize the status of interpersonal, gendered, relationships in the early 21st century United States. It brings into focus the importance of the ways we think about each other – demonstrating that the beliefs we hold influence the actions we take. Grounded in the firm belief that we can change the social forces that still ail us, "I Trusted You" is a beacon of hope, illuminating the way forward.

  • Sales Rank: #953957 in Books
  • Brand: Brand: Lifting Consciousness Press
  • Published on: 2012-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .71" w x 6.00" l, .92 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By victoria Ramirez-goris
Great ..

2 of 2 people found the following review helpful.
Excellent...very moving and informational
By Review Lady
Highly recommended! Made me rethink my life and an addicting read. Well worth reading if you or someone you know has been a victim of domestic violence or rape.

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Senin, 01 Oktober 2012

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Title: Me to We( Finding Meaning in a Material World) Binding: Paperback Author: CraigKielburger Publisher: FiresideBooks

  • Published on: 2008-03-31
  • Binding: Paperback

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